From Melville to Saunders: Using Liminality to Uncover US-American Racial Fantasies
DOI:
https://doi.org/10.5283/copas.357Keywords:
American Africanism, White supremacy, nineteenth-century romance, twenty-first century fantasy, Whiteness, anti-Blackness, liminalityAbstract
This paper offers a comparative reading of Herman Melville’s romance Moby Dick“ (1851) and George Saunders’s fantastic ghost story Lincoln in the Bardo “(2017), tracing the reverberations of Toni Morrison’s ‘American Africanism’ as a specific kind of White supremacist discourse in both novels. After sketching nineteenth-century romance and recent fantasy literature as liminal genres fitting for a critical negotiation of the equally liminal Africanist presence, this paper shows how both novels employ liminality as a shared narrative strategy to transport their criticism on White supremacy and anti-Blackness.Downloads
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2022-08-02
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How to Cite
“From Melville to Saunders: Using Liminality to Uncover US-American Racial Fantasies”. Current Objectives of Postgraduate American Studies, vol. 23, no. 1, Aug. 2022, pp. 41-54, https://doi.org/10.5283/copas.357.