Der Körper im Spannungsfeld der Blicke: Eakins und seine Betrachter in The Gross Clinic (1875)

Authors

  • Franziska Scheitzeneder

DOI:

https://doi.org/10.5283/copas.83

Abstract

The presentation that was part of the student symposium 'American Visual Culture-Images and Interpretations' approaches Thomas Eakins' painting with an interest in the manifold modes of viewing that are inherent within the realm of the work itself-and which imply and address the viewer in a peculiar manner. A further aim is to disentangle the powerful and painful relationship of the view and the body as its object that is established in The Gross Clinic“. 

Author Biography

  • Franziska Scheitzeneder
    Franziska Scheitzeneder studies American Literature, English Linguistics and Psychology at the Ludwig-Maximilians-University in Munich. The presentation was given in her sixth semester of studies.

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Published

2012-03-27

Issue

Vol. 6 (2005)

Section

Articles

License

Creative Commons License

Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution (CC BY) 4.0 License that allows others to share the work with an acknowledgment of the work’s authorship and initial publication in this journal.

How to Cite

“Der Körper Im Spannungsfeld Der Blicke: Eakins Und Seine Betrachter in The Gross Clinic (1875)”. Current Objectives of Postgraduate American Studies, vol. 6, Mar. 2012, https://doi.org/10.5283/copas.83.