"The Tube is Flickering Now": Aesthetics of Authenticity in Good Night, and Good Luck

Authors

  • Sina Nitzsche

DOI:

https://doi.org/10.5283/copas.98

Abstract

The article examines the Clooney/Heslov/Soderbergh production Good Night, and Good Luck“ (2005). Its unusual visual style (cinematography, mise-en-scène, etc.) enables an immediate aesthetic viewing experience of Cold War America. Drawing on Fluck's discussion about aesthetics and its socio-cultural function, the "docu-drama" (Doherty 53), while referring to the era of McCarthyism, serves as an instance of articulation for the dissatisfaction with contemporary American politics.

Author Biography

  • Sina Nitzsche
    Sina Nitzsche, M.A., studied English and American Studies and Business Administration at Chemnitz University of Technology, and Cultural Studies at Trent University, Canada. Since 2006 she has been working as a lecturer and research assistant at the Department of English Literature at Chemnitz. She is the organizer of the first international student conference on "Re-Thinking Cold War: A Transatlantic Perspective." Her research interests include: American cultural studies, urban studies, and film studies. Her dissertation project is entitled: "Framing Uptown: Die Wahrnehmungen der Bronx."

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Published

2012-03-27

Issue

Vol. 8 (2007)

Section

Articles

License

Creative Commons License

Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution (CC BY) 4.0 License that allows others to share the work with an acknowledgment of the work’s authorship and initial publication in this journal.

How to Cite

“‘The Tube Is Flickering Now’: Aesthetics of Authenticity in Good Night, and Good Luck”. Current Objectives of Postgraduate American Studies, vol. 8, Mar. 2012, https://doi.org/10.5283/copas.98.